The ethical issues
The beauty of photojournalism is that is should have no editing. It captures the moment as it is, telling the story that happened at that second. When reporting on an exhibition of war photographs, Heizman discovered that many of the visitors are moved by the photos, saying that unlike what is shown in the newspaper, the photographs showed a truth closer to reality (2007).
The shot of vulture waiting for the child to die in order to eat it depicts the 1994 Sudan famine. Courtesy of flickr.com
It is unfortunate that in newsroom today, editors abuse the power of photojournalism to manipulate readers. The issue arise when these photos are manipulated in the newsroom before being published in order to give a certain look to the audience. Lester believes that this is happening because of the obvious effect photos have on the emotion of its viewers (1995). Frequently, journalists opt for gruesome images along with their without really ascertaining the need for it – a way of sensationalizing the story.
The before and after of OJ Simpsons mugshot.
Courtesy of www.metafilter.com
Following Schriver’s supplementary mode where one mode dominated another, an image sometimes can be so strong that it does not need words to follow it (1997 pg 413) and today’s photojournalism is proof of this.
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Maslin is a 20 something Communication Student living in the Klang Valley. ---- Archives
This blog was created to examine the many issues of publications and design, particularly ones related to web technology.
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